Toutes peintures ā l'huile d'Richard Brompton
ID Image Painting(From A to Z)    Details 
72366  
Richard Brompton, Admiral Sir Charles Saunders
  		 Admiral Sir Charles Saunders   "Admiral Sir Charles Saunders," oil on canvas, by the British artist Richard Brompton. Dated 1772-1773. 1270 mm x 1016 mm. Courtesy of the National Maritime Museum, Greenwich, London. cjr
73992  
Richard Brompton, Admiral Sir Charles Saunders
  		 Admiral Sir Charles Saunders   oil on canvas, by the British artist Richard Brompton. Dated 1772-1773. 1270 mm x 1016 mm cyf
29047  
Richard Brompton, Catherine II
  		 Catherine II   mk65 1782 Oil on canvas 321/2x27"
79548  
Richard Brompton, lady-in-waiting of Catherine II
  		 lady-in-waiting of Catherine II   1781(1781) Medium Oil cyf
76698  
Richard Brompton, Portrait of Aleksandra Branicka lady-in-waiting of Catherine II
  		 Portrait of Aleksandra Branicka lady-in-waiting of Catherine II   1781 cjr
82833  
Richard Brompton, Portrait of Thomas Lyttelton
  		 Portrait of Thomas Lyttelton   1775(1775) Medium Oil on canvas Dimensions 734 x 629 mm (28.9 x 24.76 in) cyf
24092  
Richard Brompton, The Duke of York with his Entourage in the Veneto (mk25)
  		 The Duke of York with his Entourage in the Veneto (mk25)   1764
Richard Brompton
1734-1783 English painter. He trained in London with Benjamin Wilson before going to Rome in 1757, where he studied with Anton Raphael Mengs. In Rome he met Charles Compton, 7th Earl of Northampton, who paid him an allowance and in Venice in 1763 introduced him to Edward Augustus, Duke of York. The Duke commissioned a conversation piece of himself and his travelling companions (version, 1764; London, Kew Pal., Royal Col.). The figures are awkwardly posed, but the polished elegance of each shows the influence of Mengs. In 1765 Brompton returned to London with Nathaniel Dance and established a good practice with small-scale works in the manner of Johann Zoffany, such as William Pitt, 1st Earl of Chatham (1772; Chevening, Kent), which exists in several versions. He also produced portraits on a larger scale, including the enormous Henry Dawkins with his Family (1773; Over Norton Hall, Oxon).



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